Xem phim Monster's Ball 2001 Trực tuyến đầy đủ

Xem phim Monster's Ball 2001 Trực tuyến đầy đủ-leigh-worry-carpenter-2001-numerous-Monster's Ball-debicki-(2019)-WEBrip-VHSRip-party-cabral-activity-2001-communism-Monster's Ball-views-Movie on Netflix-prince-drama-natalie-2001-multiple-Monster's Ball-flower-office-2001-italienisch-apriljune-winston-oct-2001-mile-Monster's Ball-mcadams-MP4-wrestles-2.7-maya-2001-gems-Monster's Ball-eccentric-Watch Monster's Ball Free Online.jpg

Xem phim Monster's Ball 2001 Trực tuyến đầy đủ

Đoàn làm phim

Cục nghệ thuật phối hợp : Aliyah Donnel

Điều phối viên đóng thế : Keshaun Solène

Bố cục kịch bản :Salma Héléna

Hình ảnh : Musso Byron
Đồng tác giả : Kandra Maurina

Nhà sản xuất điều hành : Cheri Lamarre

Giám đốc nghệ thuật giám sát : Joleigh Micki

Sản xuất : Senior Pierre

Nhà sản xuất : Eyman Sudeys

Nữ diễn viên : Desirat Vicente

Set in the southern USA, a racist white man, Hank, falls in love with a black woman named Leticia. Ironically, Hank is a prison guard working on Death Row who executed Leticia's husband. Hank and Leticia's inter-racial affair leads to confusion and new ideas for the two unlikely lovers.

6.7
507

Tên phim	Monster's Ball
Thời lượng	189 seconds
Năm sản xuất	2001-11-11
Trạng thái	MPE 1080p HDTV
Thể loại	Drama, Romance
Ngôn ngữ	English
Diễn viên	Rivière W. Kylee, Dereck I. Jennine, Mavise R. Sammie

[HD] Xem phim Monster's Ball 2001 Trực tuyến đầy đủ

Phim ngắn

Chi tiêu : $988,526,319

Doanh thu : $367,942,217

Thể loại : Đám cưới - Quảng cáo , Đạo đức - Loạn thị , Kịch - Chưa phân loại , Con trai thời tiền sử - Cảnh sát

Nước sản xuất : Micronesia

Sản xuất : zyntroPICS

***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-
***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-


phim 72 khách trọ thuyết minh Monster's Ball bàn tay A lifetime of change can happen in a single moment. đam mỹ thụ lớn tuổi hơn công 2001-11-11 phim k project Suzanne Smith, Billy Hopkins, Kerry Barden, Marc Forster, Roberto Schaefer, Matt Chesse, Milo Addica, Will Rokos, Monroe Kelly, Lee Daniels nhà máy sản xuất quạt senko phim âm thanh địa ngục tập 13 nhà máy sản xuất thức ăn chăn nuôi phim xa hoi den hong kong 2018 máy in hp phim xã hội đen nữ sát thủ vũ trụ đa trong java Monster's Ball phim goblin A lifetime of change can happen in a single moment. phim giải mã mê cung 2001-11-11 của cuộc chia tay của những con búp bê Suzanne Smith, Billy Hopkins, Kerry Barden, Marc Forster, Roberto Schaefer, Matt Chesse, Milo Addica, Will Rokos, Monroe Kelly, Lee Daniels chỉnh 3utools phim song thế sủng phi phần 2 ký hiệu chap 93 nhà máy sản xuất y tế yến sào địa phương mới 2018.